Saturday, August 13, 2022
HomeWhiskeyRichard Hawley by Nick and two Littlemill

Richard Hawley by Nick and two Littlemill


 

Serge whiskyfun
Dwelling
Hundreds of tastings,
all of the music,
all of the rambligs
and all of the enjoyable
(hopefully!)

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Hello, that is certainly one of our (nearly) day by day tastings. Santé!
   
 

 

 

August 13, 2022


Whiskyfun

Particular Vacation Weekend Version!!!

Within the midst of this fourth heatwave right here in Alsace, I am very joyful to report that after an eight-year lengthy hiatus and relatively a number of complains on the event of our twentieth Anniversary (however the place’s the music!?) Nick is again with a beautiful and wittier-than-ever live performance evaluate straight from Glasgow, whereas Angus over there in Fife managed to style two wee Littlemills. Aside from that, this little web site will keep on trip for a number of extra days whereas we’re pondering of a brand new, but non permanent setup for our tastings to return. Keep tuned! – Serge

Live performance Overview by Nick Morgan

Richard Hawley, Sumer Nights

on the Kelvingrove Bandstand

Glasgow audiences are infamous.  Barrowlands, could also be, as Richard Hawley assured us, ‘the very best gig within the nation’, however the folks of the Pricey Inexperienced Place will be fickle people and exhausting to please, significantly when confronted with English performers.  The well-known Glasgow Empire, sadly demolished in 1963 and changed by an unpleasant and now unloved and undesirable workplace block, was often known as the graveyard for English performers, significantly comedians.  On a Saturday night time shipyard employees, refreshed by a number of hauf and haufs  would bathe below-par acts with handfuls of rivets (that was in The Glasgow Herald Serge, so it should be true). There are valuable few shipyard employees in tonight’s  excited crowd on the beautiful Kelvingrove Bandstand, though given the demographic is sort of attainable that a number of retired ones have made it up from the attractive Partick boozers of Dumbarton Street.  That may account for this in depth prostate pushed que for the urinals.



That is Sumer Nights on the Kelvingrove Bandstand, though the sturdy outerwear a lot in proof confirms that England’s heatwave has but to cross the border.  Fourteen gigs that includes a few of Whiskyfun’s most interesting such because the Waterboys and Edwyn Collins and Serge’s specific favorite ‘fookin’ Richard Hawley.  It is a rolled-over 2020 gig due to the you-know-what.  In 2019 Hawley had launched his eighth studio album, Additional, which, stated a press launch, had optimism at its coronary heart (dangerous timing there Richard).  In contrast to his seven others this one is just not named after part of hometown Sheffield.  Your reviewer was on the very completed launch gig at Dalston’s EartH, a former cinema and billiard corridor with (identical to the Kelvingrove Bandstand) remarkably uncomfortable bench seating.  However no matter bodily discomfort the efficiency was so sometimes good {that a} journey to Glasgow for the 2020 gig within the park was being deliberate earlier than all that optimism all of a sudden shrank away. 

Glasgow Empire

Urinals

Nonetheless, when the possibility of a spare ticket appeared I used to be off dodging and diving prepare strikes, cancelled flights and melting tarmac in addition to you-know-what to get to the DGP. 

Richard Hawley Band

Had the shipyard employees been in I can not assist however suppose they may have given ‘particular visitor’ assist act Studio Electrophonique (aka James Leesley) a number of baggage of rivets and extra for his hassle.  However on a cold early night this viewers warmed each to his wrist-slittingly melodic melancholia, and the boldness past his years he displayed in dealing with the group (‘don’t fret, you will be dancing by the tip’).  It should be a Sheffield form of factor; Studio Electrophonique, by the way in which, is a reference to a reasonably exceptional piece of Sheffield’s music historical past, with out which no Jarvis Cocker, no Pulp and so on.  I relatively loved Leesley’s tunes, however to be sincere I used to be distracted by the guitar tech on the right-hand facet of the stage who was busy tuning and sharpening Hawley’s entourage of guitars, who had come alongside for the night time.  This was, we later realized, Gordon the Guitar tech from Glasgow, ‘conceived below the stage of the Barrowlands’, and ‘the very best in his worth bracket’.  He actually had a job on his fingers.

Lengthy-standing Whiskyfun readers might keep in mind Hawley’s guitars.  Tonight he began off with certainly one of two Telecasters as he started the set with the primary two tracks from Additional, ‘Off my thoughts’ and ‘Alone’.  He had began with these identical large songs on the Additional launch gig again in 2019, aided I recalled by a brass part – an enormous sound, though tonight it is Hawley and Shez Sheridan’s guitars doing a lot of the work.  Music three and first guitar change (to an acoustic) for title monitor ‘Additional’.  It is a type of wistful and melodic Hawley beauties, with each his voice and Sheridan’s delicate electrical guitar to the fore.  I am at all times stunned at how a lot the ocean surfaces within the lyrics of this land-locked Sheffield songster, however maybe it is there as a counterpoint to the lived lifetime of the town: ‘the ocean is asking as we’re right here working within the grime’.  The ocean could also be calling, however the metropolis is rarely far-off – it is on the coronary heart of the subsequent large guitar music ‘Standing on the sky’s edge’ from the 2012 album of the identical title, and in addition the title of a musical co-written by Hawley and Chris Bush which premiered on the well-known Sheffield Crucible theatre (suppose snooker) within the spring of 2019.  With 4 stars from the Guardian it tells the story of three households over sixty years residing in Park Hill, the now regenerated brutalists Nineteen Sixties council property that stand excessive on the sky’s edge overlooking the centre of Sheffield – the biggest listed constructing in Europe.  Having been delayed by you-know-what it returns to the Crucible later this yr, after which transfers to the Nationwide Theatre in London in 2023.  To not be missed, I would say Serge.
The usually garrulous Hawley had confined himself to nothing greater than music titles and ‘thanks’ till the tip of his sixth music ‘Emilina says’, a countryesque crooner from Additional that might have been written by Studio Electrophonique.  Truly it is not depressing sufficient for that. However what adopted started as a humorous anecdote about  being provided ‘a swally’ by a stranger within the band’s resort. However musings on Glaswegian ingesting slang all of a sudden took a special flip as Hawley declared ‘you already know I want I used to be Scottish, or Irish, Welsh, or something however English. I simply hate the fookin’ Tories’.  My goodness! The auditorium exploded. It was as if the spirit of Crimson Clydeside, lurking someplace in a single-end in Partick, had been conjured up from a magic lamp. All that was lacking was a person waving a pink flag.

‘We hate the fookin’ Tories’ chanted the viewers enthusiastically, till hushed by Hawley.  ‘And this’, he stated, ‘is what we’ll get once we eliminate them’ because the band launched into ‘Tonight the streets are ours’.   It’s I believe, nonetheless certainly one of Hawley’s finest,  a joyous celebration of working class tradition.  Cue one other explosion, this time of rebellious dancing rapture from oldies and children alike.  Simply to my left one previous fella (maybe as soon as a rivet wielding shipyard employee) was dancing, beer in a single hand, strolling stick waving within the air from the opposite.  A simple button to press I suppose, however from that time onwards this Glaswegian viewers nestled softly like putty in Hawley’s fingers.

As guitar adopted guitar so music adopted music, together with ‘Coles Nook’, ‘Do not stare on the solar’, ‘Open up your door’, a really menacing ‘Down within the woods’ and to complete a crunching ‘Is there a capsule’.  Returning to the stage for an encore Hawley introduced ‘we have simply had a chat, we’re all going to maneuver right here, fook it’ – cue one other viewers explosion earlier than ‘There is a’ storm a’ coming’, which ends appropriately threateningly with Hawley, again to viewers, thrashing his Gibson 3355 inside an inch of its life, earlier than reverting to the beautiful Gretsch for an explosive ‘Coronary heart of oak’ to complete.  Effectively nearly end.  They did the false ending factor, with Hawley yelling to the viewers within the longueur, ‘Lets rock and roll? Lets fookin’ rock and roll? Lets fookin’ rock and roll?’

And so they did.  – Nick Morgan

 

WF

 

Angus’s Nook
From our correspondent and
expert taster Angus MacRaild in Scotland
The twentieth Anniversary Classes, at this time two 30yo Littlemill

 

These two have been sat on my pattern shelf making eyes at me for lengthy sufficient, time to see what they must say…

 

 

Littlemill 30 yo 1991/2021 (46.7%, Cadenhead Authentic Collection, bourbon barrel, 102 bottles)

Littlemill 30 yo 1991/2021 (46.7%, Cadenhead Genuine Assortment, bourbon barrel, 102 bottles)
Color: pale gold. Nostril: grassy, shiny and lean. Smooth cereals, crushed nettles, mineral notes and an nearly performative Irish accent with all these relatively tart unique fruits, steel polish and contemporary inexperienced fruit notes. Develops a relatively crisp Sauvignon blanc high quality too. A ravishing nostril, simply maybe a bit on the gentle facet. Mouth: actually going for it with this Sauvignon blanc / previous type Irish Whiskey fusion. Grass, inexperienced fruit acids, ardour fruit, flower nectars, olive oil and mineral oils too. Some crisp cereals within the background and wee observe of shoe polish and even rice wine! End: medium and properly grassy, citric, nonetheless displaying good crispness and inexperienced fruit acidity. Feedback: a type of Littlemills that actually appears to be like in direction of Eire. Eminently sippable and charming, only a tad on the gentle facet.

SGP: 551 – 88 factors.

 

 

Littlemill 30 yo 1988/2019 (55.3%, Hunter Laing 'Old & Rare', refill hogshead, 85 bottles)

Littlemill 30 yo 1988/2019 (55.3%, Hunter Laing ‘Outdated & Uncommon’, refill hogshead, 85 bottles)
Color: gold. Nostril: a broader and extra polished type. Extra on cooking oils, honey, wee glimmers of hessian, camphor and putty. There’s fruits too, however relatively lemon rinds, wee drops of ardour fruit and dried mango. I additionally discover some properly inexperienced natural points with a bit time within the glass, contemporary muddled inexperienced herbs together with a bit verbena and wormwood. With water: dried sage, pine wooden, myrtle and heather. It is acquired a variety of pure and natural points, however on the identical time not a fruit bomb like lots of its siblings. Mouth: once more relatively large and properly polished. White pepper, citronella wax, hessian, fine quality tremendous grassy olive oil and a barely honeyed, aged riesling vibe. Tremendous stylish Littlemill! With water: once more very beautiful honey and olive oil profile, together with some American IPA hops, citrus rinds, camphor and fir woods once more. Not your widespread or backyard Littlemill I would say. End: good size, heat pepperiness, dried natural notes, grassy olive oil impressions as soon as once more and a few zesty citrus within the aftertaste. Feedback: undoubtedly wonderful, but in addition barely difficult at occasions. It is not your common Littlemill fruit bomb, but it surely’s additionally nicely value your time and persistence. Most likely extra a whisky for lovers of aged dry white wines. Fairly completely different from the Cadenhead however identical high quality I really feel.
SGP: 461 – 88 factors.

 

 

Because of Andy and KC!

 

 

 
   

 

 

 

 



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